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   <title>FumeFX Feature Film and Games Reel</title>
   <link>https://red.3dmovies.com/fumefx-feature-film-and-games-reel_f64461459.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/q7LQc5qbDSM/mqdefault.jpg"  /></p><p><br /><br /></p>]]></description>
   <pubDate>Sun, 30 Dec 2018 01:26:23 +0000</pubDate>
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   <title>Efectos de croma y postproducción ViktorStudios</title>
   <link>https://red.3dmovies.com/efectos-de-croma-y-postproduccion-viktorstudios_4ca0c7847.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/3kzKhedIX1o/mqdefault.jpg"  /></p><p>Video breakdown de las t&eacute;cnicas utilizadas en el v&iacute;deo de Stem House - Qu&eacute;date conmigo<br /> V&iacute;deo completo: http://www.youtube.com/watch?v=8eIgxWdevjE<br /> ViktorStudios Madrid - Producci&oacute;n de videoclips y fotograf&iacute;a: http://www.ViktorStudios.com<br /> https://www.facebook.com/ViktorStudiosOficial</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:52:57 +0000</pubDate>
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   <media:title>Efectos de croma y postproducción ViktorStudios</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/3kzKhedIX1o/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Video breakdown de las t&amp;eacute;cnicas utilizadas en el v&amp;iacute;deo de Stem House - Qu&amp;eacute;date conmigo&amp;lt;br /&amp;gt; V&amp;iacute;deo completo: http://www.youtube.com/watch?v=8eIgxWdevjE&amp;lt;br /&amp;gt; ViktorStudios Madrid - Producci&amp;oacute;n de videoclips y fotograf&amp;iacute;a: http://www.ViktorStudios.com&amp;lt;br /&amp;gt; https://www.facebook.com/ViktorStudiosOficial&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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   <title>Green screen replace background in After Effects CC 2018</title>
   <link>https://red.3dmovies.com/green-screen-replace-background-in-after-effects-cc-2018_d9908c7cd.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/BmX4vWkE8kU/mqdefault.jpg"  /></p><p>After effects mask<br /> Primatte key Key 1.2 and tracking 3d<br /> How to use After effects Psunami plugin<br /> Delete chroma after effects<br /> Change greenscreen background Tutorial<br /> After effects Free tutorials</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:52:03 +0000</pubDate>
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   <media:title>Green screen replace background in After Effects CC 2018</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/BmX4vWkE8kU/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;After effects mask&amp;lt;br /&amp;gt; Primatte key Key 1.2 and tracking 3d&amp;lt;br /&amp;gt; How to use After effects Psunami plugin&amp;lt;br /&amp;gt; Delete chroma after effects&amp;lt;br /&amp;gt; Change greenscreen background Tutorial&amp;lt;br /&amp;gt; After effects Free tutorials&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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   <title></title>
   <link>https://red.3dmovies.com/%f0%9f%94-ultimate-green-screen-tutorial-crazy-advanced-keying-techniques_d5ee736a7.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/b6aXY27fSSA/mqdefault.jpg"  /></p><p>Project files for practice: http://visionaryfire.com/6?utm_medium=social&amp;utm_source=greenscreen&amp;utm_campaign=greenscreen<br /> <br /> SOFTWARE: Adobe After Effects CC<br /> <br /> Get a shirt from my ULTIMATE COLLECTION OF FUNNY T-SHIRTS: https://funnyfinesse.com<br /> <br /> Please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel.<br /> <br /> Here is a list of all the main techniques we covered:<br /> 1. Limit Range of Colors with Garbage Matte 4:17<br /> 2. Screen Matte vs Alpha Viewer 6:15<br /> 3. NEVER Final Result (Use Intermediate Result) 6:38<br /> 4. Screen Balance Shifts Hue 7:22<br /> 5. Clipping with Curves 9:40<br /> 6. Understanding Status View 10:30<br /> 7. Test Multiple Frames And Keyframe If Necessary 11:21<br /> 8. Key Cleaner Effect 12:14<br /> 9. Reduce Chatter 13:45<br /> 10. Advanced Spill Suppressor 14:25<br /> 11. Fix Bad Edges with Refine Hard Matte <br /> 12. Eye Drop Less Saturated Colors<br /> 13. Tight Garbage Mask with Keylight<br /> 14. Remove Shadows with Shadow/Highlights 21:25<br /> 15. Remove Shadows with Invert Lightness<br /> 16. Brighten Areas with Adjustment Layers<br /> 17. Apply Key to Adjustment Layers<br /> 18. Add Vibrance to Brightened Areas<br /> 19. Use Track Matte to Steal Alpha Matte 27:40<br /> 20. Make Adjustments Before Key (Understanding Order)<br /> 21. Mask Out Keylight From Certain Areas<br /> 22. Pre-compose If Key Is On Adjustment Layers<br /> 23. Edge Color Correction with Keylight 31:30<br /> 24. Refine Soft Matte<br /> 25. Refine Soft Matte Disadvantages <br /> 26. Refine Soft Matte vs Key Cleaner<br /> 27. Can't Use Keying Effects After Decontaminate Edge Colors <br /> <br /> BUY ONE OF MY T-SHIRTS: https://simpleattention.shop/<br /> <br /> INSTAGRAM: @visionary_fx https://www.instagram.com/visionary_fx/<br /> FACEBOOK: www.facebook.com/visionarydesignpage<br /> <br /> My name is Lendon Bracewell from Visionary Fire and untill next time, I'll leave you to it!</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:51:33 +0000</pubDate>
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   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/b6aXY27fSSA/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Project files for practice: http://visionaryfire.com/6?utm_medium=social&amp;amp;utm_source=greenscreen&amp;amp;utm_campaign=greenscreen&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; SOFTWARE: Adobe After Effects CC&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Get a shirt from my ULTIMATE COLLECTION OF FUNNY T-SHIRTS: https://funnyfinesse.com&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Please let me know what you think in the comments and SUBSCRIBE so you won&apos;t lose contact with my channel.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Here is a list of all the main techniques we covered:&amp;lt;br /&amp;gt; 1. Limit Range of Colors with Garbage Matte 4:17&amp;lt;br /&amp;gt; 2. Screen Matte vs Alpha Viewer 6:15&amp;lt;br /&amp;gt; 3. NEVER Final Result (Use Intermediate Result) 6:38&amp;lt;br /&amp;gt; 4. Screen Balance Shifts Hue 7:22&amp;lt;br /&amp;gt; 5. Clipping with Curves 9:40&amp;lt;br /&amp;gt; 6. Understanding Status View 10:30&amp;lt;br /&amp;gt; 7. Test Multiple Frames And Keyframe If Necessary 11:21&amp;lt;br /&amp;gt; 8. Key Cleaner Effect 12:14&amp;lt;br /&amp;gt; 9. Reduce Chatter 13:45&amp;lt;br /&amp;gt; 10. Advanced Spill Suppressor 14:25&amp;lt;br /&amp;gt; 11. Fix Bad Edges with Refine Hard Matte &amp;lt;br /&amp;gt; 12. Eye Drop Less Saturated Colors&amp;lt;br /&amp;gt; 13. Tight Garbage Mask with Keylight&amp;lt;br /&amp;gt; 14. Remove Shadows with Shadow/Highlights 21:25&amp;lt;br /&amp;gt; 15. Remove Shadows with Invert Lightness&amp;lt;br /&amp;gt; 16. Brighten Areas with Adjustment Layers&amp;lt;br /&amp;gt; 17. Apply Key to Adjustment Layers&amp;lt;br /&amp;gt; 18. Add Vibrance to Brightened Areas&amp;lt;br /&amp;gt; 19. Use Track Matte to Steal Alpha Matte 27:40&amp;lt;br /&amp;gt; 20. Make Adjustments Before Key (Understanding Order)&amp;lt;br /&amp;gt; 21. Mask Out Keylight From Certain Areas&amp;lt;br /&amp;gt; 22. Pre-compose If Key Is On Adjustment Layers&amp;lt;br /&amp;gt; 23. Edge Color Correction with Keylight 31:30&amp;lt;br /&amp;gt; 24. Refine Soft Matte&amp;lt;br /&amp;gt; 25. Refine Soft Matte Disadvantages &amp;lt;br /&amp;gt; 26. Refine Soft Matte vs Key Cleaner&amp;lt;br /&amp;gt; 27. Can&apos;t Use Keying Effects After Decontaminate Edge Colors &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; BUY ONE OF MY T-SHIRTS: https://simpleattention.shop/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; INSTAGRAM: @visionary_fx https://www.instagram.com/visionary_fx/&amp;lt;br /&amp;gt; FACEBOOK: www.facebook.com/visionarydesignpage&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; My name is Lendon Bracewell from Visionary Fire and untill next time, I&apos;ll leave you to it!&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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   <title>10 Green Screen Movie Effects That Are Embarrassing to Watch</title>
   <link>https://red.3dmovies.com/10-green-screen-movie-effects-that-are-embarrassing-to-watch_f099e8dd1.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/3V8UZDcv9c8/mqdefault.jpg"  /></p><p>10 special effects in big budget movies that almost ruin the movie<br /> Subscribe to our channel: https://goo.gl/wMuSDD<br /> -----------------------------------------------------------------------------------------<br /> Description:<br /> Chroma key is pretty difficult to do right. You need to not only have the right camera set up, but you also need perfect lighting to make sure your actors match the lighting of your intended background. You also need to ensure that the background in question is three dimensional and convincing and you also need your actors a good distance away from the green or blue screen you&rsquo;re using to ensure they don&rsquo;t accidentally cast a shadow and create a weird silhouette. <br /> So it should come as a surprise that not every movie gets it right, here are 10 Green/Blue Screen effects gone horribly wrong. <br /> And before we get started, make sure to subscribe to CBR for cool vids like this one, delivered to you daily<br /> -----------------------------------------------------------------------------------------<br /> Our Social Media:<br /> Facebook: https://www.facebook.com/ComicBookResources<br /> Twitter: https://twitter.com/cbr<br /> -----------------------------------------------------------------------------------------<br /> Featuring:<br /> Star Wars Prequels,<br /> The Adventures Shark Boy and Lava Girl in 3-D,<br /> Spy Kids 3-D: Game Over,<br /> Labyrinth,<br /> Jupiter Ascending,<br /> The Hobbit,<br /> Star Trek: Insurrection ,<br /> The Green Lantern ,<br /> Batman vs Superman: Dawn of Justice ,<br /> Indiana Jones and the Kingdom of the Crystal Skull,<br /> <br /> -----------------------------------------------------------------------------------------<br /> For more videos and articles visit:<br /> http://www.cbr.com/</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:48:48 +0000</pubDate>
   <media:content medium="video" duration="395"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>10 Green Screen Movie Effects That Are Embarrassing to Watch</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/3V8UZDcv9c8/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;10 special effects in big budget movies that almost ruin the movie&amp;lt;br /&amp;gt; Subscribe to our channel: https://goo.gl/wMuSDD&amp;lt;br /&amp;gt; -----------------------------------------------------------------------------------------&amp;lt;br /&amp;gt; Description:&amp;lt;br /&amp;gt; Chroma key is pretty difficult to do right. You need to not only have the right camera set up, but you also need perfect lighting to make sure your actors match the lighting of your intended background. You also need to ensure that the background in question is three dimensional and convincing and you also need your actors a good distance away from the green or blue screen you&amp;rsquo;re using to ensure they don&amp;rsquo;t accidentally cast a shadow and create a weird silhouette. &amp;lt;br /&amp;gt; So it should come as a surprise that not every movie gets it right, here are 10 Green/Blue Screen effects gone horribly wrong. &amp;lt;br /&amp;gt; And before we get started, make sure to subscribe to CBR for cool vids like this one, delivered to you daily&amp;lt;br /&amp;gt; -----------------------------------------------------------------------------------------&amp;lt;br /&amp;gt; Our Social Media:&amp;lt;br /&amp;gt; Facebook: https://www.facebook.com/ComicBookResources&amp;lt;br /&amp;gt; Twitter: https://twitter.com/cbr&amp;lt;br /&amp;gt; -----------------------------------------------------------------------------------------&amp;lt;br /&amp;gt; Featuring:&amp;lt;br /&amp;gt; Star Wars Prequels,&amp;lt;br /&amp;gt; The Adventures Shark Boy and Lava Girl in 3-D,&amp;lt;br /&amp;gt; Spy Kids 3-D: Game Over,&amp;lt;br /&amp;gt; Labyrinth,&amp;lt;br /&amp;gt; Jupiter Ascending,&amp;lt;br /&amp;gt; The Hobbit,&amp;lt;br /&amp;gt; Star Trek: Insurrection ,&amp;lt;br /&amp;gt; The Green Lantern ,&amp;lt;br /&amp;gt; Batman vs Superman: Dawn of Justice ,&amp;lt;br /&amp;gt; Indiana Jones and the Kingdom of the Crystal Skull,&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; -----------------------------------------------------------------------------------------&amp;lt;br /&amp;gt; For more videos and articles visit:&amp;lt;br /&amp;gt; http://www.cbr.com/&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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   <title>3 HOLLYWOOD EFFECTS in PREMIERE PRO</title>
   <link>https://red.3dmovies.com/3-hollywood-effects-in-premiere-pro_b65dd759e.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/A1fKo3hjS4Y/mqdefault.jpg"  /></p><p>https://cinecom.info/Collider - Recreate special effects from Wonder Woman, Superman and Star Wars in this Adobe Premiere Pro tutorial. Easy and simple visual effects from iconic Hollywood movies.<br /> <br /> Free Collider Samples<br /> ► https://www.cinecom.net/premiere-pro-tutorials/simple-hollywood-effects/<br /> <br /> 5 Easy Visual Effects in Premiere Pro<br /> ► https://www.youtube.com/watch?v=jg9UbgvnLuo&amp;list=PLV0ZcSTi6tB4l7bSDlZsWNIilm6gmrB-e<br /> <br /> More Premiere Pro Tutorials<br /> ► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB4l7bSDlZsWNIilm6gmrB-e<br /> <br /> Our 2nd Channel<br /> ► https://www.youtube.com/channel/UCgph27YDqKhzHQUaVf9d09w<br /> <br /> Instagram<br /> ► https://cinecom.info/Instagram<br /> <br /> <br /> ❤ 1,000,000 subscribers (no celebration)<br /> ► https://youtu.be/i2ymfS6Pzfg<br /> <br /> ✅ OUR EQUIPMENT<br /> <br /> Shop at Adorama (ad)<br /> ► https://cinecom.info/Adorama<br /> <br /> My Custom GH5 Camera Rig<br /> ► https://www.cinecom.net/gear/custom-panasonic-gh5-camera-rig/<br /> <br /> Cheap Green Key Equipment<br /> ► https://www.cinecom.net/gear/chroma-key-essentials/<br /> <br /> All the Film Gear we use<br /> ► https://www.cinecom.net/gear<br /> <br /> <br /> <br /> ✅ LETS CONNECT!<br /> Instagram ► http://cinecom.info/Instagram<br /> Facebook ► http://cinecom.info/Facebook<br /> <br /> #Cinecom #CreativeTuesday</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:47:50 +0000</pubDate>
   <media:content medium="video" duration="359"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>3 HOLLYWOOD EFFECTS in PREMIERE PRO</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/A1fKo3hjS4Y/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;https://cinecom.info/Collider - Recreate special effects from Wonder Woman, Superman and Star Wars in this Adobe Premiere Pro tutorial. Easy and simple visual effects from iconic Hollywood movies.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Free Collider Samples&amp;lt;br /&amp;gt; ► https://www.cinecom.net/premiere-pro-tutorials/simple-hollywood-effects/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; 5 Easy Visual Effects in Premiere Pro&amp;lt;br /&amp;gt; ► https://www.youtube.com/watch?v=jg9UbgvnLuo&amp;amp;list=PLV0ZcSTi6tB4l7bSDlZsWNIilm6gmrB-e&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; More Premiere Pro Tutorials&amp;lt;br /&amp;gt; ► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB4l7bSDlZsWNIilm6gmrB-e&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Our 2nd Channel&amp;lt;br /&amp;gt; ► https://www.youtube.com/channel/UCgph27YDqKhzHQUaVf9d09w&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Instagram&amp;lt;br /&amp;gt; ► https://cinecom.info/Instagram&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; ❤ 1,000,000 subscribers (no celebration)&amp;lt;br /&amp;gt; ► https://youtu.be/i2ymfS6Pzfg&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; ✅ OUR EQUIPMENT&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Shop at Adorama (ad)&amp;lt;br /&amp;gt; ► https://cinecom.info/Adorama&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; My Custom GH5 Camera Rig&amp;lt;br /&amp;gt; ► https://www.cinecom.net/gear/custom-panasonic-gh5-camera-rig/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Cheap Green Key Equipment&amp;lt;br /&amp;gt; ► https://www.cinecom.net/gear/chroma-key-essentials/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; All the Film Gear we use&amp;lt;br /&amp;gt; ► https://www.cinecom.net/gear&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; ✅ LETS CONNECT!&amp;lt;br /&amp;gt; Instagram ► http://cinecom.info/Instagram&amp;lt;br /&amp;gt; Facebook ► http://cinecom.info/Facebook&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; #Cinecom #CreativeTuesday&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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   <title>5 FAST &amp; EASY VISUAL EFFECTS in Premiere Pro</title>
   <link>https://red.3dmovies.com/5-fast-easy-visual-effects-in-premiere-pro_7b3635dc9.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/4ZdZQEkN_5k/mqdefault.jpg"  /></p><p>https://cinecom.info/Audioblocks - 5 EASY and FAST visual EFFECTS in Adobe Premiere Pro. Learn how to create the invisibility cloak from Harry Potter, the Lightning effects from Thor, some editing magic tricks and a very clean sky replacement. Make your own Hollywood effects!<br /> <br /> Copy Money in Premiere Pro<br /> ► https://www.youtube.com/watch?v=IucAB-bcGzE&amp;list=PLV0ZcSTi6tB7WwZVAhm_JzaL4-b_qsVqb<br /> <br /> Advanced Ultra Key Tutorial<br /> ► https://www.youtube.com/watch?v=SNNZ-ZG_j4M<br /> <br /> More Easy Visual Effects in Premiere Pro<br /> ► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB5vdsDWLS5s6ojFViy3NXIF<br /> <br /> More Creative Tuesday<br /> ► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB4lRVC4vzyKRMVJRyPHcO6D<br /> <br /> FREE Handheld Camera Presets<br /> ► https://www.cinecom.net/designer-packs/handheld-camera-movement-presets-premiere-pro/<br /> <br /> Read More<br /> ► https://www.cinecom.net/premiere-pro-tutorials/5-more-easy-visual-effects/<br /> <br /> ❤ 1,000,000 subscribers (no celebration)<br /> ► https://youtu.be/i2ymfS6Pzfg<br /> <br /> ✅ OUR EQUIPMENT<br /> <br /> Shop at Adorama (ad)<br /> ► https://cinecom.info/Adorama<br /> <br /> My Custom GH5 Camera Rig<br /> ► https://www.cinecom.net/gear/custom-panasonic-gh5-camera-rig/<br /> <br /> Cheap Green Key Equipment<br /> ► https://www.cinecom.net/gear/chroma-key-essentials/<br /> <br /> All the Film Gear we use<br /> ► https://www.cinecom.net/gear<br /> <br /> <br /> ✅ LETS CONNECT!<br /> Instagram ► http://cinecom.info/Instagram<br /> Facebook ► http://cinecom.info/Facebook<br /> <br /> #Cinecom #CreativeTuesday</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:47:17 +0000</pubDate>
   <media:content medium="video" duration="473"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>5 FAST &amp;amp; EASY VISUAL EFFECTS in Premiere Pro</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/4ZdZQEkN_5k/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;https://cinecom.info/Audioblocks - 5 EASY and FAST visual EFFECTS in Adobe Premiere Pro. Learn how to create the invisibility cloak from Harry Potter, the Lightning effects from Thor, some editing magic tricks and a very clean sky replacement. Make your own Hollywood effects!&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Copy Money in Premiere Pro&amp;lt;br /&amp;gt; ► https://www.youtube.com/watch?v=IucAB-bcGzE&amp;amp;list=PLV0ZcSTi6tB7WwZVAhm_JzaL4-b_qsVqb&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Advanced Ultra Key Tutorial&amp;lt;br /&amp;gt; ► https://www.youtube.com/watch?v=SNNZ-ZG_j4M&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; More Easy Visual Effects in Premiere Pro&amp;lt;br /&amp;gt; ► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB5vdsDWLS5s6ojFViy3NXIF&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; More Creative Tuesday&amp;lt;br /&amp;gt; ► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB4lRVC4vzyKRMVJRyPHcO6D&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; FREE Handheld Camera Presets&amp;lt;br /&amp;gt; ► https://www.cinecom.net/designer-packs/handheld-camera-movement-presets-premiere-pro/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Read More&amp;lt;br /&amp;gt; ► https://www.cinecom.net/premiere-pro-tutorials/5-more-easy-visual-effects/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; ❤ 1,000,000 subscribers (no celebration)&amp;lt;br /&amp;gt; ► https://youtu.be/i2ymfS6Pzfg&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; ✅ OUR EQUIPMENT&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Shop at Adorama (ad)&amp;lt;br /&amp;gt; ► https://cinecom.info/Adorama&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; My Custom GH5 Camera Rig&amp;lt;br /&amp;gt; ► https://www.cinecom.net/gear/custom-panasonic-gh5-camera-rig/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Cheap Green Key Equipment&amp;lt;br /&amp;gt; ► https://www.cinecom.net/gear/chroma-key-essentials/&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; All the Film Gear we use&amp;lt;br /&amp;gt; ► https://www.cinecom.net/gear&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; ✅ LETS CONNECT!&amp;lt;br /&amp;gt; Instagram ► http://cinecom.info/Instagram&amp;lt;br /&amp;gt; Facebook ► http://cinecom.info/Facebook&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; #Cinecom #CreativeTuesday&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://i.ytimg.com/vi/4ZdZQEkN_5k/mqdefault.jpg" />
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   <guid>https://red.3dmovies.com/5-fast-easy-visual-effects-in-premiere-pro_7b3635dc9.html</guid>
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   <title>Captain America: Civil War: Behind the Scenes Movie Broll- Scarlett Johansson, Chris Evans</title>
   <link>https://red.3dmovies.com/captain-america-civil-war-behind-the-scenes-movie-broll-scarlett-johansson-chris-evans_65a5e9ef4.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/r_cMcndBS-A/mqdefault.jpg"  /></p><p>Captain America: Civil War: Behind the Scenes Movie Broll with Scarlett Johansson, Chris Evans</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:39:01 +0000</pubDate>
   <media:content medium="video" duration="534"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Captain America: Civil War: Behind the Scenes Movie Broll- Scarlett Johansson, Chris Evans</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/r_cMcndBS-A/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Captain America: Civil War: Behind the Scenes Movie Broll with Scarlett Johansson, Chris Evans&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://i.ytimg.com/vi/r_cMcndBS-A/mqdefault.jpg" />
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   <guid>https://red.3dmovies.com/captain-america-civil-war-behind-the-scenes-movie-broll-scarlett-johansson-chris-evans_65a5e9ef4.html</guid>
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   <title>Green screen Speed Compositing in After Effects (300)</title>
   <link>https://red.3dmovies.com/green-screen-speed-compositing-in-after-effects-300_ceba2eb3d.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/faAvDp3Nn5I/mqdefault.jpg"  /></p><p>Green screen compositing for the Video of Samurai Sounds</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:38:02 +0000</pubDate>
   <media:content medium="video" duration="257"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Green screen Speed Compositing in After Effects (300)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/faAvDp3Nn5I/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Green screen compositing for the Video of Samurai Sounds&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://i.ytimg.com/vi/faAvDp3Nn5I/mqdefault.jpg" />
   </media:content>
   <guid>https://red.3dmovies.com/green-screen-speed-compositing-in-after-effects-300_ceba2eb3d.html</guid>
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   <title>chroma key after effects - Perfect green screen in 5 minutes</title>
   <link>https://red.3dmovies.com/chroma-key-after-effects-perfect-green-screen-in-5-minutes_7c2425875.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/VA2yvv_JLIE/mqdefault.jpg"  /></p><p>Remove green screen and track motion in 5 minutes.<br /> Make your own hollywood effects at home with your smartphone</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:36:00 +0000</pubDate>
   <media:content medium="video" duration="305"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>chroma key after effects - Perfect green screen in 5 minutes</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/VA2yvv_JLIE/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Remove green screen and track motion in 5 minutes.&amp;lt;br /&amp;gt; Make your own hollywood effects at home with your smartphone&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://i.ytimg.com/vi/VA2yvv_JLIE/mqdefault.jpg" />
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   <guid>https://red.3dmovies.com/chroma-key-after-effects-perfect-green-screen-in-5-minutes_7c2425875.html</guid>
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   <title>Every Best Visual Effects Winner. Ever. (1929-2018 Oscars)</title>
   <link>https://red.3dmovies.com/every-best-visual-effects-winner-ever-1929-2018-oscars_8ae52adc0.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/ZSD6VFUVbsQ/mqdefault.jpg"  /></p><p>This year's Oscar nominees have been announced! So time to update our VFX award video from last year. We have added the winner from last year, this year's nominees, and a whole bunch of great updates throughout the video entirely. Enjoy!<br /> <br /> End screen music:<br /> Star Wars Cantina Band 8-bit by Darth Vesta<br /> https://soundcloud.com/darth-vesta/star-wars-cantina-band-8-bit<br /> <br /> About the award:<br /> <br /> For the 1927/28 Academy awards, the award was for engineering effects. There was no award again until 1938 where it was called a special award "for outstanding achievement in creating special photographic and sound effects. The very next year the award was combined with sound effects and called the Award for Special Effects. It wasn't until 1963 that the award became the Award for Best Visual Effects (which it is still called today). It was given every year from 1963 to present, with the exception of 1973.<br /> <br /><br /> Equipment We Use:<br /> <br /> In the car:<br /> <br /> GoPro Hero5 Black: http://amzn.to/2w4OveJ<br /> GoPro Hero5 Session: http://amzn.to/2x9X2lK<br /> Joby Suction Mounts: http://amzn.to/2wGyqOe<br /> Power Pack: http://amzn.to/2wFpR6l<br /> Memory Cards: http://amzn.to/2eDNrIA<br /> USB-C Cables: http://amzn.to/2xNvuPV<br /> GoPro Batteries: http://amzn.to/2eDMzUh<br /> Pelican Equip Case: http://amzn.to/2wDLKV8<br /> Zoom H1: http://amzn.to/2x9u6dE<br /> Audio-Technics Mics: http://amzn.to/2wGdaYP<br /> <br /> <br /> In the studio:<br /> <br /> Canon 5D Mark IV: http://amzn.to/2wE5MPx<br /> Canon 5D Mark III: http://amzn.to/2w4Sw2S<br /> Canon 6D: http://amzn.to/2eDwspC<br /> Blue Yeti Mic: http://amzn.to/2gKbLwt<br /> Mic Arm: http://amzn.to/2x9sCQy<br /> Shock Mount: http://amzn.to/2w51XiL<br /> Headphones: http://amzn.to/2gL3CYV<br /> LED Light Panels: http://amzn.to/2x96m9g<br /> Editing Monitor: http://amzn.to/2j2qNi5<br /> (Amzn Aff Links)</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:31:16 +0000</pubDate>
   <media:content medium="video" duration="729"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Every Best Visual Effects Winner. Ever. (1929-2018 Oscars)</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/ZSD6VFUVbsQ/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;This year&apos;s Oscar nominees have been announced! So time to update our VFX award video from last year. We have added the winner from last year, this year&apos;s nominees, and a whole bunch of great updates throughout the video entirely. Enjoy!&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; End screen music:&amp;lt;br /&amp;gt; Star Wars Cantina Band 8-bit by Darth Vesta&amp;lt;br /&amp;gt; https://soundcloud.com/darth-vesta/star-wars-cantina-band-8-bit&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; About the award:&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; For the 1927/28 Academy awards, the award was for engineering effects. There was no award again until 1938 where it was called a special award &quot;for outstanding achievement in creating special photographic and sound effects. The very next year the award was combined with sound effects and called the Award for Special Effects. It wasn&apos;t until 1963 that the award became the Award for Best Visual Effects (which it is still called today). It was given every year from 1963 to present, with the exception of 1973.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt; Equipment We Use:&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; In the car:&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; GoPro Hero5 Black: http://amzn.to/2w4OveJ&amp;lt;br /&amp;gt; GoPro Hero5 Session: http://amzn.to/2x9X2lK&amp;lt;br /&amp;gt; Joby Suction Mounts: http://amzn.to/2wGyqOe&amp;lt;br /&amp;gt; Power Pack: http://amzn.to/2wFpR6l&amp;lt;br /&amp;gt; Memory Cards: http://amzn.to/2eDNrIA&amp;lt;br /&amp;gt; USB-C Cables: http://amzn.to/2xNvuPV&amp;lt;br /&amp;gt; GoPro Batteries: http://amzn.to/2eDMzUh&amp;lt;br /&amp;gt; Pelican Equip Case: http://amzn.to/2wDLKV8&amp;lt;br /&amp;gt; Zoom H1: http://amzn.to/2x9u6dE&amp;lt;br /&amp;gt; Audio-Technics Mics: http://amzn.to/2wGdaYP&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; In the studio:&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Canon 5D Mark IV: http://amzn.to/2wE5MPx&amp;lt;br /&amp;gt; Canon 5D Mark III: http://amzn.to/2w4Sw2S&amp;lt;br /&amp;gt; Canon 6D: http://amzn.to/2eDwspC&amp;lt;br /&amp;gt; Blue Yeti Mic: http://amzn.to/2gKbLwt&amp;lt;br /&amp;gt; Mic Arm: http://amzn.to/2x9sCQy&amp;lt;br /&amp;gt; Shock Mount: http://amzn.to/2w51XiL&amp;lt;br /&amp;gt; Headphones: http://amzn.to/2gL3CYV&amp;lt;br /&amp;gt; LED Light Panels: http://amzn.to/2x96m9g&amp;lt;br /&amp;gt; Editing Monitor: http://amzn.to/2j2qNi5&amp;lt;br /&amp;gt; (Amzn Aff Links)&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://i.ytimg.com/vi/ZSD6VFUVbsQ/mqdefault.jpg" />
   </media:content>
   <guid>https://red.3dmovies.com/every-best-visual-effects-winner-ever-1929-2018-oscars_8ae52adc0.html</guid>
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   <title>Avatar Featurette: Performance Capture</title>
   <link>https://red.3dmovies.com/avatar-featurette-performance-capture_00c686cf2.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/OJ1JzYPjcj0/mqdefault.jpg"  /></p><p>James Cameron and the Visual Effects team discuss the process of capturing the actors' performances in Avatar. Now playing in theaters worldwide.</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:30:24 +0000</pubDate>
   <media:content medium="video" duration="520"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Avatar Featurette: Performance Capture</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/OJ1JzYPjcj0/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;James Cameron and the Visual Effects team discuss the process of capturing the actors&apos; performances in Avatar. Now playing in theaters worldwide.&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
   <media:thumbnail url="https://i.ytimg.com/vi/OJ1JzYPjcj0/mqdefault.jpg" />
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   <guid>https://red.3dmovies.com/avatar-featurette-performance-capture_00c686cf2.html</guid>
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   <title>Top 10 VFX Innovations in the 21st Century!</title>
   <link>https://red.3dmovies.com/top-10-vfx-innovations-in-the-21st-century_dfdf24a69.html</link>
   <description><![CDATA[<p><img src="https://i.ytimg.com/vi/G0cPeEAhzWU/mqdefault.jpg"  /></p><p>Last time we talked about VFX, we covered everything up to the turn of the century, where bullet time and CGI were just starting to change the game. But movies today are enhanced (or perhaps overloaded) with a amazing technologies that can bring almost anything to life. Here&rsquo;s how we got here.&nbsp;</p>
<p><br /> What did you think of the list? Did you agree or disagree with our choices? Do you have a pick for a so-so movie that&rsquo;s elevated by amazing effects? Or a good movie ruined by bad VFX? What&rsquo;s your favorite effects-laden film? What do you think we&rsquo;ll see next? More 3D? 4D? Smell-o-vision? What topics would you like to see us cover on future Movie Lists?<br /> <br /> Let us know in the comments!<br /> <br /> THE LIST<br /> <br /> O Brother, Where Art Thou? (2000)<br /> Directors: Coen Brothers<br /> This musical&rsquo;s visual effects are all in the color-correction. And the result is every bit as eye-popping as any monster movie, we think.<br /> <br /> The Perfect Storm (2000) <br /> Director: Wolfgang Petersen<br /> Before The Perfect Storm, water was either droplets, or it was a mass of liquid. Computers couldn&rsquo;t parse the two motion patterns&hellip; until The Perfect Storm charted a new course in effects.<br /> <br /> The Lord of the Rings (Trilogy, 2001-2003)<br /> Director: Peter Jackson<br /> Peter Jackson and WETA Digital built some amazing AI, so that all those orcs, goblins, and Urok-hai could move independently, and realistically, in MASSIVE battle scenes.<br /> <br /> Final Fantasy: The Spirits Within (2001)<br /> Directors: Hirunobu Sakaguchi, Motonori Sakakibara<br /> Not a successful movie - but a successful use of motion capture technology&hellip; and we wouldn&rsquo;t have Andy Serkis as Golum or Avatar without the early, pioneering work of this film. <br /> <br /> The Matrix Reloaded (2003)<br /> Directors: The Wachowskis&rsquo; movies are perhaps most iconic for the bullet time technique from the first Matrix movie, but Universal Capture, which debuted in the second film, is probably the most notable contribution to movie technology to come out to the trilogy.<br /> <br /> The Polar Express (2004)<br /> Director: Robert Zemeckis<br /> The first film to use all existing motion capture technology to create fully CGI performances out of actual movements from actual actors (mostly Tom Hanks) to create all the movements in the film. <br /> <br /> Sky Captain and the World of Tomorrow (2004)<br /> Director: Kerry Conran<br /> The advent of the digital backlot - shooting live actors on mostly green- or blue-screen sets, is a fairly common occurrence today (Sin City, 300, and the Hobbit are recent examples), Sky Captain was the first film to create digital landscapes for their characters to inhabit. <br /> <br /> Pirates of the Caribbean: Dead Man&rsquo;s Chest (2006)<br /> Director: Gore Verbinski<br /> CGI characters may have been a common occurrence by this point, but until the crew of Davy Jones&rsquo; ship walked (scuttled?) onto the screen, CGI performances and live actors had to be filmed separately. No more, thanks to ILM&rsquo;s Imocap technology!<br /> <br /> Avatar (2009)<br /> Director: James Cameron<br /> Of course Avatar had to make our list (James Cameron does love innovating!). It&rsquo;s the culmination of pretty much every technique we&rsquo;ve described so far, plus some 3D thrown in to boot! Most notably, Avatar pioneered the use of live rendering, and facial capture as large-scale set pieces were being filmed.<br /> <br /> Gravity (2013)<br /> Director: Alfonso Cuar&ograve;n<br /> Even with all the advancements in creating digital objects, creating convincing light on said objects remained a challenge. Until Alfonso Cuar&ograve;n&rsquo;s Gravity debuted a system where lighting was digitally calculated, and then actually projected onto actors faces.</p>]]></description>
   <pubDate>Thu, 20 Dec 2018 22:24:26 +0000</pubDate>
   <media:content medium="video" duration="1004"  type="video/x-flv"  height="401" width="638" >
   <media:player url="https://red.3dmovies.com/players/flowplayer2/flowplayer.swf" />
   <media:title>Top 10 VFX Innovations in the 21st Century!</media:title>
   <media:description>&amp;lt;![CDATA[&amp;lt;p&amp;gt;&amp;lt;img src=&quot;https://i.ytimg.com/vi/G0cPeEAhzWU/mqdefault.jpg&quot;  /&amp;gt;&amp;lt;/p&amp;gt;&amp;lt;p&amp;gt;Last time we talked about VFX, we covered everything up to the turn of the century, where bullet time and CGI were just starting to change the game. But movies today are enhanced (or perhaps overloaded) with a amazing technologies that can bring almost anything to life. Here&amp;rsquo;s how we got here.&amp;nbsp;&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;&amp;lt;br /&amp;gt; What did you think of the list? Did you agree or disagree with our choices? Do you have a pick for a so-so movie that&amp;rsquo;s elevated by amazing effects? Or a good movie ruined by bad VFX? What&amp;rsquo;s your favorite effects-laden film? What do you think we&amp;rsquo;ll see next? More 3D? 4D? Smell-o-vision? What topics would you like to see us cover on future Movie Lists?&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Let us know in the comments!&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; THE LIST&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; O Brother, Where Art Thou? (2000)&amp;lt;br /&amp;gt; Directors: Coen Brothers&amp;lt;br /&amp;gt; This musical&amp;rsquo;s visual effects are all in the color-correction. And the result is every bit as eye-popping as any monster movie, we think.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; The Perfect Storm (2000) &amp;lt;br /&amp;gt; Director: Wolfgang Petersen&amp;lt;br /&amp;gt; Before The Perfect Storm, water was either droplets, or it was a mass of liquid. Computers couldn&amp;rsquo;t parse the two motion patterns&amp;hellip; until The Perfect Storm charted a new course in effects.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; The Lord of the Rings (Trilogy, 2001-2003)&amp;lt;br /&amp;gt; Director: Peter Jackson&amp;lt;br /&amp;gt; Peter Jackson and WETA Digital built some amazing AI, so that all those orcs, goblins, and Urok-hai could move independently, and realistically, in MASSIVE battle scenes.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Final Fantasy: The Spirits Within (2001)&amp;lt;br /&amp;gt; Directors: Hirunobu Sakaguchi, Motonori Sakakibara&amp;lt;br /&amp;gt; Not a successful movie - but a successful use of motion capture technology&amp;hellip; and we wouldn&amp;rsquo;t have Andy Serkis as Golum or Avatar without the early, pioneering work of this film. &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; The Matrix Reloaded (2003)&amp;lt;br /&amp;gt; Directors: The Wachowskis&amp;rsquo; movies are perhaps most iconic for the bullet time technique from the first Matrix movie, but Universal Capture, which debuted in the second film, is probably the most notable contribution to movie technology to come out to the trilogy.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; The Polar Express (2004)&amp;lt;br /&amp;gt; Director: Robert Zemeckis&amp;lt;br /&amp;gt; The first film to use all existing motion capture technology to create fully CGI performances out of actual movements from actual actors (mostly Tom Hanks) to create all the movements in the film. &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Sky Captain and the World of Tomorrow (2004)&amp;lt;br /&amp;gt; Director: Kerry Conran&amp;lt;br /&amp;gt; The advent of the digital backlot - shooting live actors on mostly green- or blue-screen sets, is a fairly common occurrence today (Sin City, 300, and the Hobbit are recent examples), Sky Captain was the first film to create digital landscapes for their characters to inhabit. &amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Pirates of the Caribbean: Dead Man&amp;rsquo;s Chest (2006)&amp;lt;br /&amp;gt; Director: Gore Verbinski&amp;lt;br /&amp;gt; CGI characters may have been a common occurrence by this point, but until the crew of Davy Jones&amp;rsquo; ship walked (scuttled?) onto the screen, CGI performances and live actors had to be filmed separately. No more, thanks to ILM&amp;rsquo;s Imocap technology!&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Avatar (2009)&amp;lt;br /&amp;gt; Director: James Cameron&amp;lt;br /&amp;gt; Of course Avatar had to make our list (James Cameron does love innovating!). It&amp;rsquo;s the culmination of pretty much every technique we&amp;rsquo;ve described so far, plus some 3D thrown in to boot! Most notably, Avatar pioneered the use of live rendering, and facial capture as large-scale set pieces were being filmed.&amp;lt;br /&amp;gt; &amp;lt;br /&amp;gt; Gravity (2013)&amp;lt;br /&amp;gt; Director: Alfonso Cuar&amp;ograve;n&amp;lt;br /&amp;gt; Even with all the advancements in creating digital objects, creating convincing light on said objects remained a challenge. Until Alfonso Cuar&amp;ograve;n&amp;rsquo;s Gravity debuted a system where lighting was digitally calculated, and then actually projected onto actors faces.&amp;lt;/p&amp;gt;]]&amp;gt;</media:description>
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